On the Mysteries of Editing

I'm approaching the final editing of It's the Skin...  And what a strange thing editing is.  On the one hand, fixing things when I'm used, as a performance maker, to keeping things open and fluid.  On the other, the bewildering infinity of options, working on a computer that neither resists nor encourages, no one to talk to, sitting up late at night, like now, looking at a man who might be a bear that's going on a journey, and wondering what tiny adjustment, if any, to make next.But the premier approaches - 6th September at Dovecot Studios in Edinburgh - so all will be well - all will have to be well - by then.